Thursday, January 17, 2008
NAMM coverage
Well, I'm heading off tomorrow afternoon for Anaheim.
As I said before, I won't have my laptop, so in depth "Hi-Fi" coverage for those of you who've asked me to check stuff out won't be up until I get back on Tuesday.
However, being inspired by Devi's NAMM blog I'm going to email in posts from my iPhone periodically from the show. Lo-Fi coverage. ;)
BTW, anyone else interested in staying on top of the very latest from NAMM, the sonic state RSS feed seems to be a great source. As of course are the regular outlets, like Matrixsynth.
Also, Brandon's pics of the latest from NAMM are always great. He's even more artsy with the shots this year.
http://www.fdiskc.com/syn/namm/2008/index.html
As I said before, I won't have my laptop, so in depth "Hi-Fi" coverage for those of you who've asked me to check stuff out won't be up until I get back on Tuesday.
However, being inspired by Devi's NAMM blog I'm going to email in posts from my iPhone periodically from the show. Lo-Fi coverage. ;)
BTW, anyone else interested in staying on top of the very latest from NAMM, the sonic state RSS feed seems to be a great source. As of course are the regular outlets, like Matrixsynth.
Also, Brandon's pics of the latest from NAMM are always great. He's even more artsy with the shots this year.
http://www.fdiskc.com/syn/namm/2008/index.html
Wednesday, January 16, 2008
An update before the break
Not much has been going on here...just getting this sorted out before the trip down to NAMM.
I've been playing a lot more guitar lately and my guitar pedal fetish is starting to flouring. I want the new metasonix amp more than anything, but it's price point (though I'm sure well worth it) puts it out of my league for the time being. One day! In the meantime, I plan on building a bunch of BYOC kits as well as making an even more serious effort to obtain a TX-1 and TX-2.
The other reason for my increased guitar playing (other than it being fun and needing to work the rust out of my fingers) is that the modular is currently in shambles. Yes, shambles! I sold both of the Doepfer A-100P cases (thanks guys) but all the parts to put the custom case together have not arrived yet. They are estimated to arrive by next week, so I'll be getting started on that as soon as they arrive. It was actually kinda fun taking the modules out and getting a peek at their circuit boards, which I haven't seen since they were first put in the case. I had forgotten about some of the messages screened on the Livewire boards. :D
I'll also be without my laptop for an undetermined amount of time. I'm dropping it off tomorrow. I'll have my iPhone with me so I may be able to make some spurious posts from the NAMM show floor, but they might be rather brief so it might not be worth it. But I plan on taking plenty of pictures and will have a sizeable post when I return.
In the meantime, to tide you over, I present a composition originally done for a Xmas employee composition which, due to some serious hate from Logic, did not get finished. It's still not finished, but it's in a fairly progressed state and since it's the only real recording I've done in a while, I thought I'd share it. It's largely the MachineDrum and several tracks of the modular. There's a piano part in the break which is from one of Logic's sample sets. UAD Neve 88RS plugs were used to process each track and there's a little UAD Plate 140 and UAD RE-201 for ambience.
Comments welcome.
Enjoy.
PS. If anyone gets the reference made by the title, sound off in the comments. You'll win some nerd points. ;)
PPS. The first few seconds are only the sub-bass kick. If you don't hear anything, then yo speakers ain't big enough cuz!
I've been playing a lot more guitar lately and my guitar pedal fetish is starting to flouring. I want the new metasonix amp more than anything, but it's price point (though I'm sure well worth it) puts it out of my league for the time being. One day! In the meantime, I plan on building a bunch of BYOC kits as well as making an even more serious effort to obtain a TX-1 and TX-2.
The other reason for my increased guitar playing (other than it being fun and needing to work the rust out of my fingers) is that the modular is currently in shambles. Yes, shambles! I sold both of the Doepfer A-100P cases (thanks guys) but all the parts to put the custom case together have not arrived yet. They are estimated to arrive by next week, so I'll be getting started on that as soon as they arrive. It was actually kinda fun taking the modules out and getting a peek at their circuit boards, which I haven't seen since they were first put in the case. I had forgotten about some of the messages screened on the Livewire boards. :D
I'll also be without my laptop for an undetermined amount of time. I'm dropping it off tomorrow. I'll have my iPhone with me so I may be able to make some spurious posts from the NAMM show floor, but they might be rather brief so it might not be worth it. But I plan on taking plenty of pictures and will have a sizeable post when I return.
In the meantime, to tide you over, I present a composition originally done for a Xmas employee composition which, due to some serious hate from Logic, did not get finished. It's still not finished, but it's in a fairly progressed state and since it's the only real recording I've done in a while, I thought I'd share it. It's largely the MachineDrum and several tracks of the modular. There's a piano part in the break which is from one of Logic's sample sets. UAD Neve 88RS plugs were used to process each track and there's a little UAD Plate 140 and UAD RE-201 for ambience.
Comments welcome.
Enjoy.
PS. If anyone gets the reference made by the title, sound off in the comments. You'll win some nerd points. ;)
PPS. The first few seconds are only the sub-bass kick. If you don't hear anything, then yo speakers ain't big enough cuz!
Tuesday, January 08, 2008
Guitar Hero is officially out of control
Ok first off, this isn't, technically, a music/synth related post. I've tried to stray away from posting random shit I'm interested in and instead stay on task with music/noise related gear, but this one is close enough that I couldn't pass up.
Let me also say that I love playing Guitar Hero. I have GH1 and GH2 on PS2 and it's a blast, particularly when playing with friends (and with beer).
That being said, this Peavey Riff Master Pro System for GH is fucking ridiculous. If you are going to drop that much money on what essentially is a gutted real guitar and real PA system, just buy a fucking guitar and learn to play it. Start a band. Start a cover band if you must. This quite possibly could be one of the lamest things I have ever seen.
What I'm actually more puzzled by (actually *afraid of* might be the better choice) is if there are actually bands that play GH in front of people. And I don't mean like friends get together at a bar and watch others play...I mean there's a real show and venue and everything. Are there girls there? If I saw such a show I think I would throw up...right before I imploded. I don't know wether to be sad for or mad at the target market of this thing.
oh well. back to real life.
Let me also say that I love playing Guitar Hero. I have GH1 and GH2 on PS2 and it's a blast, particularly when playing with friends (and with beer).
That being said, this Peavey Riff Master Pro System for GH is fucking ridiculous. If you are going to drop that much money on what essentially is a gutted real guitar and real PA system, just buy a fucking guitar and learn to play it. Start a band. Start a cover band if you must. This quite possibly could be one of the lamest things I have ever seen.
What I'm actually more puzzled by (actually *afraid of* might be the better choice) is if there are actually bands that play GH in front of people. And I don't mean like friends get together at a bar and watch others play...I mean there's a real show and venue and everything. Are there girls there? If I saw such a show I think I would throw up...right before I imploded. I don't know wether to be sad for or mad at the target market of this thing.
oh well. back to real life.
Thursday, January 03, 2008
New year's update
Once again, it's been too long since my last update...
Firstly, I hope everyone had a good and relaxing holiday break!
No new modules since the sequencer, money has been slow, but I have got a few more mastering projects coming my way and I did get some money for the holidays but I'm trying not to blow through that so fast. That and, as you'll read, I've got more uses for it. That, and I've learned my lesson about buying stuff before NAMM.
Over the break, I got back into playing guitar more. It started with playing around with the TM-6 as a wah and for about a week I played guitar more than played with the modular. It was involved in a few sounds, using the filters mostly, but I generally was just using the guitar and having a lot of fun. Even not having played (or practiced, which I never did much anyway) I haven't gotten too rusty...it's certainly a lot easier to come up with riffs/lines on the guitar than the synth/keys for me and that's probably why I had so much fun.
This new attention to the guitar also rekindled my lust for pedals. I've always liked pedals, but was always buying and selling them as they didn't hold my attention very long...the few that did though, I have kept and I feel now, years later, that my ears have improved enough that I'm able to pick and choose pedals better.
Through Pete @ Leisure Cove, I got turned onto Build Your Own Clone and the DIY pedal kits that they offer. BYOC has quite a few kits, one that I am particularly excited about, the "Lazy Sproket", a Boss SG-1 Slow Gear clone. Despite it's simplicity, I really liked that pedal, but it was always way too expensive. It's the pedal that actually got me browsing eBay way back in 99 or thereabouts. I was always hunting for a Slow Gear...and was always outbid on the few that came up. Well now, I can build the thing myself for $74.99. Fuckin-A.
All of their kits are very interesting and very well priced. The other's that particularly interest me are the "250+" DOD 250/MXR Dist+ clone as well as their Digital Delay. The icing on the cake is their forum, which has a very active membership with what seems like hundreds of various mods to the kits. I'm *really* excited about getting into this.
In modular news, I've ordered the majority of the parts for my custom case and they should be arriving very soon. I actually ordered 2 extra of the Vector T-strut mounting rails since it was only a few more bucks to get the price break for 10 of them. So if anyone wants 2 rails, let me know and I'll give you a great deal; I don't think I'll have a use for them. I'm hoping to finish the case quickly and not drag ass like I have with the joystick controller. The fact that having the case finished will allow me to sell my Doepfer A-100P suitcases, therefore having money for modules, will be a big motivator. Which reminds me, I'll have 2 Doepfer A-100P cases available for sale soon too; if you are in the market for one (or both!) let me know.
I'm looking forward to NAMM again this year; I always have a good time, but I have very few work-related meetings lined up this year so I'll pretty much be cruising the show the entire time. I've got a few people to say hi to in person now which will be fun to. If any of you want me to check out anything specific @ NAMM, please leave a note in the comments (or this thread on the Muff Wiggler Forum) and I will make sure to check it out and get as many details as possible.
It's not all rainbow farts and sunshine here though, my MacbookPro has fucked itself up nicely. For the last month or so it's been acting oddly when charging batteries and I actually had to replace one of the batteries as it no longer held a charge for more than 30 minutes or so. Now, it simply refuses to run when the battery is used; it will only work when connected to the AC adapter. The battery is fine too, I've tested it with several colleague's MBPs as well as tried their batteries. The shitty part is that my MBP is out of warranty and I didn't buy the extended applecare. I've bought the extended applecare for every mac I've ever owned and never needed it, and this time, ever so ironically, skipped it with this laptop.
Actually the really sucky part is the fact that the wonderful MagSafe connector comes out so easily by design (to save your laptop from flying across the room should someone trip on the power cable)...now if I pickup the thing wrong and the plug pulls out, the computer dies...which has happened like 5 times in the last 2 weeks. Bad sectors anyone!? I've yet to back my system up and take it in for repair, so I'm in for an unknown charge in the near future (another reason to not go splurging on modules.
That's it for now. Adios.
Firstly, I hope everyone had a good and relaxing holiday break!
No new modules since the sequencer, money has been slow, but I have got a few more mastering projects coming my way and I did get some money for the holidays but I'm trying not to blow through that so fast. That and, as you'll read, I've got more uses for it. That, and I've learned my lesson about buying stuff before NAMM.
Over the break, I got back into playing guitar more. It started with playing around with the TM-6 as a wah and for about a week I played guitar more than played with the modular. It was involved in a few sounds, using the filters mostly, but I generally was just using the guitar and having a lot of fun. Even not having played (or practiced, which I never did much anyway) I haven't gotten too rusty...it's certainly a lot easier to come up with riffs/lines on the guitar than the synth/keys for me and that's probably why I had so much fun.
This new attention to the guitar also rekindled my lust for pedals. I've always liked pedals, but was always buying and selling them as they didn't hold my attention very long...the few that did though, I have kept and I feel now, years later, that my ears have improved enough that I'm able to pick and choose pedals better.
Through Pete @ Leisure Cove, I got turned onto Build Your Own Clone and the DIY pedal kits that they offer. BYOC has quite a few kits, one that I am particularly excited about, the "Lazy Sproket", a Boss SG-1 Slow Gear clone. Despite it's simplicity, I really liked that pedal, but it was always way too expensive. It's the pedal that actually got me browsing eBay way back in 99 or thereabouts. I was always hunting for a Slow Gear...and was always outbid on the few that came up. Well now, I can build the thing myself for $74.99. Fuckin-A.
All of their kits are very interesting and very well priced. The other's that particularly interest me are the "250+" DOD 250/MXR Dist+ clone as well as their Digital Delay. The icing on the cake is their forum, which has a very active membership with what seems like hundreds of various mods to the kits. I'm *really* excited about getting into this.
In modular news, I've ordered the majority of the parts for my custom case and they should be arriving very soon. I actually ordered 2 extra of the Vector T-strut mounting rails since it was only a few more bucks to get the price break for 10 of them. So if anyone wants 2 rails, let me know and I'll give you a great deal; I don't think I'll have a use for them. I'm hoping to finish the case quickly and not drag ass like I have with the joystick controller. The fact that having the case finished will allow me to sell my Doepfer A-100P suitcases, therefore having money for modules, will be a big motivator. Which reminds me, I'll have 2 Doepfer A-100P cases available for sale soon too; if you are in the market for one (or both!) let me know.
I'm looking forward to NAMM again this year; I always have a good time, but I have very few work-related meetings lined up this year so I'll pretty much be cruising the show the entire time. I've got a few people to say hi to in person now which will be fun to. If any of you want me to check out anything specific @ NAMM, please leave a note in the comments (or this thread on the Muff Wiggler Forum) and I will make sure to check it out and get as many details as possible.
It's not all rainbow farts and sunshine here though, my MacbookPro has fucked itself up nicely. For the last month or so it's been acting oddly when charging batteries and I actually had to replace one of the batteries as it no longer held a charge for more than 30 minutes or so. Now, it simply refuses to run when the battery is used; it will only work when connected to the AC adapter. The battery is fine too, I've tested it with several colleague's MBPs as well as tried their batteries. The shitty part is that my MBP is out of warranty and I didn't buy the extended applecare. I've bought the extended applecare for every mac I've ever owned and never needed it, and this time, ever so ironically, skipped it with this laptop.
Actually the really sucky part is the fact that the wonderful MagSafe connector comes out so easily by design (to save your laptop from flying across the room should someone trip on the power cable)...now if I pickup the thing wrong and the plug pulls out, the computer dies...which has happened like 5 times in the last 2 weeks. Bad sectors anyone!? I've yet to back my system up and take it in for repair, so I'm in for an unknown charge in the near future (another reason to not go splurging on modules.
That's it for now. Adios.
Thursday, December 13, 2007
Way Cool Controller
I'm sad that my joystick controller will not be as cool as this, The Thummer:
Via Paul S. on the AH list.
Via Paul S. on the AH list.
Wednesday, December 12, 2007
The Devils Carrousel
So here is the patch I mentioned last night after getting the Doepfer A-155.
The A-155 has Pre/Post outputs for each sequencer lane. "Pre" is pre-S+H/Glide processing and Post is post-S+H/Glide processing; but if you don't do any S+H/Glide processing, these are essentially a mult. That's how I used it in this case, with the Pre out going to the 1v/Oct in on the Plan B Model 15 and also into one oscillator's CV in on the Livewire Dalek Modulator which was set to a sine wave and put into one of the Freq CV inputs (linear) of the Model 15. The sine wave output of the M15 is then fed into one half of the M13 Dual Timbal Gate set to "Both" with the level all the way up.
The second lane of the A-155 is controlling the other oscillator of the Dalek, set to square wave and fed into the other half of the M13 Dual Timbral Gate, set to "Filter", with the Level all the way down. This gate is being opened by the Plan B Model 10 Poly EG.
The clock for the A-155 is the square wave output of one half of the Livewire Vulcan Modulator. The Difference output of the Vulcan is set for both square waves and it is being used to trigger the M10 which is opening that lower gate on the M13.
From the SUM output (mix) of the M13, the signal is fed into the Livewire FrequenSteiner, which is then modulated slowly by the triangle wave on the other half of the Vulcan as well as the Auxiliary output of the Livewire Dual Cyclotron. This gives an interesting sound because you don't really notice the Cyclotron's effect on the filter frequency when the Vulcan has swept it all the way up, but as it sweeps down, you can hear the Cyclotron's effect...it makes that kind of square wave gurgling sound when the filter frequency is in the lower range.
Finally, the volume is controlled by one of the EGs on the Doepfer A-143-2 which is being triggered by the Gate row on the A-155 sequencer. The release time is slow so it's really adding only a slight bit of dynamics to the sound. I'm also controlling the overall volume with one axis of my joystick controller inverted through the Doepfer A-175 Dual Inverter.
The final touch is the Moog delay (MF-104) with the Frostwave Resonator in the feedback loop to give it a bit more band-limited tape-delay like sound.
Enjoy.
The A-155 has Pre/Post outputs for each sequencer lane. "Pre" is pre-S+H/Glide processing and Post is post-S+H/Glide processing; but if you don't do any S+H/Glide processing, these are essentially a mult. That's how I used it in this case, with the Pre out going to the 1v/Oct in on the Plan B Model 15 and also into one oscillator's CV in on the Livewire Dalek Modulator which was set to a sine wave and put into one of the Freq CV inputs (linear) of the Model 15. The sine wave output of the M15 is then fed into one half of the M13 Dual Timbal Gate set to "Both" with the level all the way up.
The second lane of the A-155 is controlling the other oscillator of the Dalek, set to square wave and fed into the other half of the M13 Dual Timbral Gate, set to "Filter", with the Level all the way down. This gate is being opened by the Plan B Model 10 Poly EG.
The clock for the A-155 is the square wave output of one half of the Livewire Vulcan Modulator. The Difference output of the Vulcan is set for both square waves and it is being used to trigger the M10 which is opening that lower gate on the M13.
From the SUM output (mix) of the M13, the signal is fed into the Livewire FrequenSteiner, which is then modulated slowly by the triangle wave on the other half of the Vulcan as well as the Auxiliary output of the Livewire Dual Cyclotron. This gives an interesting sound because you don't really notice the Cyclotron's effect on the filter frequency when the Vulcan has swept it all the way up, but as it sweeps down, you can hear the Cyclotron's effect...it makes that kind of square wave gurgling sound when the filter frequency is in the lower range.
Finally, the volume is controlled by one of the EGs on the Doepfer A-143-2 which is being triggered by the Gate row on the A-155 sequencer. The release time is slow so it's really adding only a slight bit of dynamics to the sound. I'm also controlling the overall volume with one axis of my joystick controller inverted through the Doepfer A-175 Dual Inverter.
The final touch is the Moog delay (MF-104) with the Frostwave Resonator in the feedback loop to give it a bit more band-limited tape-delay like sound.
Enjoy.
I Finally Got a Sequencer
As I previously mentioned before, I've been on the lookout for a sequencer, the Doepfer A-155 in particular since the Milton is vaporware for the most part. I actually lost an auction one two weeks ago on ebay, and had been waiting for another to show up.
Then, yesterday, I saw a post to the AH list (I'm just a lurker, not a member) from a guy who was looking to sell one, and he was in Santa Cruz! I went and got it on my lunch break, and pretty much started at it on and off for the rest of the day. I ended up being at work until pretty late so it was about 10pm before I actually got around to plugging it in.
Before hooking it up though, I thought I would give organizing the "portable" system a shot. It wasn't really working out...I couldn't fit all that I wanted into 1 A-100P case...not with the Sequencer. If it was like 12HP or so smaller, then *maybe*. So I'll be starting on a custom case ASAP. With the Sequencer installed, I'm down to 22HP free.
So anyway, everything I said about not wanting a sequencer was simply uneducated bullshit rationalization on my part. I LOVE the sequencer...I think want two now! Just having one row patched to a 2 OSC FM sound was fantastic fun. I played around with it for about 3 hours, trying different clock sources, messing with using one of the trigger rows patched into the sequencer Reset to play with the sequence length in realtime, etc, but I think I've only just broken the surface of using this in patches. The A-154 controller will no doubt be in my future as well, especially if I decide on picking up a second A-155.
I did leave a patch up that I did at the end of the night, I just didn't record it; I'll do that tonight and update the post here with the audio.
Monday, December 10, 2007
Computers Make Me Mad
A disclaimer: I love computers. My day job is testing software. I use computers 18 hours out of every day. They still make me mad.
Case in point, at work they've decided to do this company compilation and give a copy of it to everyone for christmas. Everyone (who wanted to) was supposed to submit at least 1 track. I of course didn't find out about it until the last minute and only had a weekend before the deadline for submission. And by "weekend" I mean Sunday afternoon.
I actually was able to compose the backbone of the track on the MachineDrum Saturday night while "watching" TV. I also had a couple of modular patches in mind, both utilizing one of the joysticks that I've gotten wired up to a pair of patch cables. So I was rather excited because that short window of time on Sunday would simply be for tracking and quick mixdown. Easy peasy japanesy.
So I sit down Sunday afternoon, tweak on the patches for an hour or so and then decide to get down to tracking. I wanted to get each of the 12 tracks/sounds of the machine drum recorded onto it's own stereo track (stereo tracks because the machinedrum sounds had stereo verb and panning and delay on them and I wanted to preserve that). This meant syncing to MIDI Clock...no big deal right? Well, after about 20 minutes of hooking all that shit up, finding the sync settings on the MD and setting the right stuff up in Logic+AudioMidiSetup I finally got it going. Hit play in Logic...MachineDrum starts playing. Sweet! :D
Add new stereo track-> Solo kick track on MachineDrum -> Record 4 bars -> Stop -> Playback -> WTF!?
The recorded audio was actually being printed earlier than it should off; effectively making each hit fall earlier than the beat in Logic. I know it should not do this so I spend the next 2 hours trying to figure out why it was doing it...I gave up out of frustration after that. No new track, and more stress on the weekend. Fuck.
I still have no idea where the problem lies. I'm keen to blame Logic as that is a favorite pastime, but I don't necessarily know if it is purely at fault. I imagine it's a combination of Logic settings, the midi interface connection (Elektron TM-1) over USB and some good ol' MIDI slop.
The thing that really sucks is I can't let it rest until I figure it out...I know I'll end up in there tonight cursing and yelling and kicking things. Heroes isn't on, I'll have nothing else to do but lock myself away in the nerd cave and get pissed off.
:p
I'm also pissed off in general that this kind of setup doesn't "just work". I know it could be the USB hub, or just midi slop or some other unavoidable thing like that, but IMO, that's unacceptable. If MIDI Clock is supported it should fucking work, rock solid...if it's sloppy, what the fuck is the point, don't even put it on there. Same thing for USB midi interfaces...if you can't make it work reliably connected to a hub with a keyboard, mouse and dongle, don't fucking bother! It's not like I have cheap shit either.... ok, I'm getting off on a rant. :/
Fingers crossed for a happy ending.
Case in point, at work they've decided to do this company compilation and give a copy of it to everyone for christmas. Everyone (who wanted to) was supposed to submit at least 1 track. I of course didn't find out about it until the last minute and only had a weekend before the deadline for submission. And by "weekend" I mean Sunday afternoon.
I actually was able to compose the backbone of the track on the MachineDrum Saturday night while "watching" TV. I also had a couple of modular patches in mind, both utilizing one of the joysticks that I've gotten wired up to a pair of patch cables. So I was rather excited because that short window of time on Sunday would simply be for tracking and quick mixdown. Easy peasy japanesy.
So I sit down Sunday afternoon, tweak on the patches for an hour or so and then decide to get down to tracking. I wanted to get each of the 12 tracks/sounds of the machine drum recorded onto it's own stereo track (stereo tracks because the machinedrum sounds had stereo verb and panning and delay on them and I wanted to preserve that). This meant syncing to MIDI Clock...no big deal right? Well, after about 20 minutes of hooking all that shit up, finding the sync settings on the MD and setting the right stuff up in Logic+AudioMidiSetup I finally got it going. Hit play in Logic...MachineDrum starts playing. Sweet! :D
Add new stereo track-> Solo kick track on MachineDrum -> Record 4 bars -> Stop -> Playback -> WTF!?
The recorded audio was actually being printed earlier than it should off; effectively making each hit fall earlier than the beat in Logic. I know it should not do this so I spend the next 2 hours trying to figure out why it was doing it...I gave up out of frustration after that. No new track, and more stress on the weekend. Fuck.
I still have no idea where the problem lies. I'm keen to blame Logic as that is a favorite pastime, but I don't necessarily know if it is purely at fault. I imagine it's a combination of Logic settings, the midi interface connection (Elektron TM-1) over USB and some good ol' MIDI slop.
The thing that really sucks is I can't let it rest until I figure it out...I know I'll end up in there tonight cursing and yelling and kicking things. Heroes isn't on, I'll have nothing else to do but lock myself away in the nerd cave and get pissed off.
:p
I'm also pissed off in general that this kind of setup doesn't "just work". I know it could be the USB hub, or just midi slop or some other unavoidable thing like that, but IMO, that's unacceptable. If MIDI Clock is supported it should fucking work, rock solid...if it's sloppy, what the fuck is the point, don't even put it on there. Same thing for USB midi interfaces...if you can't make it work reliably connected to a hub with a keyboard, mouse and dongle, don't fucking bother! It's not like I have cheap shit either.... ok, I'm getting off on a rant. :/
Fingers crossed for a happy ending.
Thursday, December 06, 2007
Decisions, Decisions
As I mentioned somewhere in the past, I want to build a larger case for my modular but keep one of my A-100P cases as a "portable" system. I'm having a really hard time deciding either a) What exactly would go in this "portable" system or b) just not have a "portable" system and only have one larger case, which wouldn't be that much more less-portable.
The B case is very tempting. The case size I'm thinking of is ~28-32" wide and ~15" tall so it's still pretty portable as far as cases go. It wouldn't necessarily fit in the overhead compartment of a plane like the A-100P, but the likelihood of me traveling by plane and taking a modular with me *anytime* in the near future is pretty small. Plus, when I would take the modular somewhere (friend's studios, AH meetups, etc) I would have everything with me...I wouldn't be saying "if only I had x from my main system with me". The final benefit is that selling both A-100P cases would net more cash than just selling one...which means more money for modules.
The A case is tempting because I like "portable" gear in that kind of form-factor. I've always though the Buchla Music Easel was one of the coolest things ever. I would really enjoy having something like that. The reality is, I don't take stuff from my studio that often, and when I do, it's usually for doing audio processing over at a friend's studio...and typically that means filters, ring mods, etc and not oscillators or other "synth" components. The other crux with the A case is that I can't decide what to actually put in the system since it is a small amount of space and the modules that I really would want to have all the time are fairly large. Examples.
1) Livewire AFG - 28HP
I know it's not out yet, but I know I will want this osc all the time.
2) Livewire Vulcan Modulator - 14HP
After using this so much, I don't think I could substitute a pair of normal LFOs and not miss it. Sub-ing 2 LFOs might actually take up even more space. Add an extra 8HP for the Selector Expansion module when it's released.
3) Livewire Dalek Modulator - 14HP
Not only does it provide the ring mod functionality, but it's my main source for audio rate modulation. I couldn't imagine using the AFG without this. Sub-ing 2 oscs, even without ring mod would take up even more space.
4) Plan B Model 10 Poly EG - 12HP
Again, here's a module I couldn't see not having all the time, I would miss it's functionality if I subed in a standard Doepfer EG, which would only gain me 4HP anyway.
5) Plan B Model 13 Dual Timbral Gate - 12HP This one I might be able to live without all the time, BUT, it could also double as the main VCA (so long as I have some overall output atten somewhere) so that could actually save space.
6) Livewire FrequenSteiner filter - 16HP
This I've thought about over and over. The multi-mode is a basic requirement, the HP sounds really good and I would miss that. Also, self-oscillation is a requirement, so that would put out the Plan B M12 as a possible replacement (which would only save 2HP anyway). It also has a sound that's not too gritty, but not to smooth...it's rather perfect in the "character" range as far as filters go. It also has two CV ins, each with attenuators. These latter two qualities put it a bit ahead of the Polivoks as a substitute, that and the HP mode, which I would miss.
7) Some kind of mixer/attenuator - 8HP minimum
The Plan B Model 9 would be perfect here as it's both a mixer and attenuator simultaneously. It is 14HP, however. At a minimum, I'd need my Doepfer A-138c, 8HP.
So that brings us to 104HP, which leaves 60HP free. Despite my earlier statements on sequencers I actually do think I want one now and having it in here would be great...or at least, I would imagine I would want it once I got used to having it. That scratches off 50HP right that at a minimum. The other side of having a sequencer is that when I did take this system over to my buddies place for processing/sound design, I know he's gonna want to sync it to MIDI so that would take us into negative space with the MIDI-CV and clock divider. Plus, I didn't even count utility modules like VCAs and mults.
I guess I could go without the sequencer, toss in the Dual Cyclotron (28HP) or the Chaos Computer (28HP) whenever that actually gets released. The Chaos Computer might actually make an ok "sequencer" of sorts. You wouldn't necessarily be able to directly program the sequence, but you could influence it.
The final problem is that while I might have 60HP free, it's not 60HP in a row...it might 10 on top and 50 on bottom or 22/38, or something else. This can also restrict which modules I can actually choose.
I'm starting to loose track of thought now... Having one single case seems to be the simplest, sanest, least complicated way to go...but I've still got a soft spot for that "Portable" system. :/
What do you guys think?
The B case is very tempting. The case size I'm thinking of is ~28-32" wide and ~15" tall so it's still pretty portable as far as cases go. It wouldn't necessarily fit in the overhead compartment of a plane like the A-100P, but the likelihood of me traveling by plane and taking a modular with me *anytime* in the near future is pretty small. Plus, when I would take the modular somewhere (friend's studios, AH meetups, etc) I would have everything with me...I wouldn't be saying "if only I had x from my main system with me". The final benefit is that selling both A-100P cases would net more cash than just selling one...which means more money for modules.
The A case is tempting because I like "portable" gear in that kind of form-factor. I've always though the Buchla Music Easel was one of the coolest things ever. I would really enjoy having something like that. The reality is, I don't take stuff from my studio that often, and when I do, it's usually for doing audio processing over at a friend's studio...and typically that means filters, ring mods, etc and not oscillators or other "synth" components. The other crux with the A case is that I can't decide what to actually put in the system since it is a small amount of space and the modules that I really would want to have all the time are fairly large. Examples.
1) Livewire AFG - 28HP
I know it's not out yet, but I know I will want this osc all the time.
2) Livewire Vulcan Modulator - 14HP
After using this so much, I don't think I could substitute a pair of normal LFOs and not miss it. Sub-ing 2 LFOs might actually take up even more space. Add an extra 8HP for the Selector Expansion module when it's released.
3) Livewire Dalek Modulator - 14HP
Not only does it provide the ring mod functionality, but it's my main source for audio rate modulation. I couldn't imagine using the AFG without this. Sub-ing 2 oscs, even without ring mod would take up even more space.
4) Plan B Model 10 Poly EG - 12HP
Again, here's a module I couldn't see not having all the time, I would miss it's functionality if I subed in a standard Doepfer EG, which would only gain me 4HP anyway.
5) Plan B Model 13 Dual Timbral Gate - 12HP This one I might be able to live without all the time, BUT, it could also double as the main VCA (so long as I have some overall output atten somewhere) so that could actually save space.
6) Livewire FrequenSteiner filter - 16HP
This I've thought about over and over. The multi-mode is a basic requirement, the HP sounds really good and I would miss that. Also, self-oscillation is a requirement, so that would put out the Plan B M12 as a possible replacement (which would only save 2HP anyway). It also has a sound that's not too gritty, but not to smooth...it's rather perfect in the "character" range as far as filters go. It also has two CV ins, each with attenuators. These latter two qualities put it a bit ahead of the Polivoks as a substitute, that and the HP mode, which I would miss.
7) Some kind of mixer/attenuator - 8HP minimum
The Plan B Model 9 would be perfect here as it's both a mixer and attenuator simultaneously. It is 14HP, however. At a minimum, I'd need my Doepfer A-138c, 8HP.
So that brings us to 104HP, which leaves 60HP free. Despite my earlier statements on sequencers I actually do think I want one now and having it in here would be great...or at least, I would imagine I would want it once I got used to having it. That scratches off 50HP right that at a minimum. The other side of having a sequencer is that when I did take this system over to my buddies place for processing/sound design, I know he's gonna want to sync it to MIDI so that would take us into negative space with the MIDI-CV and clock divider. Plus, I didn't even count utility modules like VCAs and mults.
I guess I could go without the sequencer, toss in the Dual Cyclotron (28HP) or the Chaos Computer (28HP) whenever that actually gets released. The Chaos Computer might actually make an ok "sequencer" of sorts. You wouldn't necessarily be able to directly program the sequence, but you could influence it.
The final problem is that while I might have 60HP free, it's not 60HP in a row...it might 10 on top and 50 on bottom or 22/38, or something else. This can also restrict which modules I can actually choose.
I'm starting to loose track of thought now... Having one single case seems to be the simplest, sanest, least complicated way to go...but I've still got a soft spot for that "Portable" system. :/
What do you guys think?
Sunday, December 02, 2007
Polivoks Sawtooth Wave
So, I remembered I do have an oscilloscope...of sorts. I have Audiofile Engineering's Spectre, which does have an oscilloscope, but it's limited to what your audio interface can do, and unfortunately my 828mkII is not DC-coupled, so I can only use the software scope for audio rate stuff.
So anyway, that works perfectly for checking out what the waveform looks like when having the Harvestman Polivoks self-oscillate and have it's BP output FM itself.
I mentioned in the Polivoks review that it has a "saw-like sounding hybrid" when doing this...well I wasn't quite right...it IS a sawtooth!
It's a little quiet (amplitude-wise) than say, the Plan B Model 15, but it's a very cool and usable sawtooth wave. I had a lot of fun gating it with the Model 13 Dual Timbral Gate and even layering it with the Model 15, tuning it to harmonic intervals.
This is my first state-variable filter which has simultaneous LP/BP/etc outputs so I'm curious if other filters have a similar response when patched in such a fashion. Sound off in the comments if you know.
Saturday, December 01, 2007
Ghost In The ICs
Before sitting down to wrap up another mastering project and start on yet another (when it rains, it pours) I decided to patch up something on the modular for a while, making a specific effort to use the Polivoks.
After messing around with that sound of the Polivoks self-oscillating with the BP out FM'ing itself that I mentioned in the review, I started a patch using it as a regular BP filter and came up with what I called "Ghost In the ICs".
This quite possibly could be my favorite sound I've come up with yet. I think it could have been even more expressive with the joysticks involved, but it's hard at this stage to play them without the alligator clips popping off or having a flaky connection. Here's what the patch consisted of:
The lower register of the sound (the slightly formant like one) is one square wave oscillator from the Dalek Modulator with a little bit of x-modulation. That is being fed into the Harvestman Polivoks which has it's resonance about 3/4 of the way up, getting a slight modulation of it's frequency by the Auxiliary out of the Dual Cuyclotron (both cyclotrons set to "discrete"; square waves), and the Bandpass output going into one half of the Plan B Dual Timbral Gate with the level up @ 10 o'clock. The gate level is opened by the accent out on the first 8th note of a triplet on the Plan B Model 28 Tap Clock.
The upper register of the sound (higher pitched sine wave-ish one) is the sine wave out of the other half of the Dalek Modulator, also with a little bit of x-modulation. That is going directly into the other half of the Plan B Dual Timbral Gate, with the level also @ 10 o'clock and the gate in "Filter" mode. The gate level is closed slightly (not being opened wider) by a Plan B Model 10 Poly Env, with the envelope going negative (~ 11 o'clock on the knob). The Poly Env is being triggered by the triplet gate output on the Model 28 Tap Clock, with the middle 8th note set to Rest.
The mix/sum output of the Dual Timbral Gate is going into the Frequensteiner with it's Resonance set to ~ 10 o'clock and set to LP mode. It's modulated slowly by the Triangle out of one half of the Vulcan Modulator as well as getting an Accent on the first eighth note (so accents on the quater note beat) from the Model 28.
Finally, the Frequensteiner is going into the main VCA (Doepfer A-131) which is being held open via the "clock divider always on trick" and also slightly modulated by the Triangle out of the other half of the Vulcan Modulator.
I added a little UAD RE-201 and UAD Plate 140 in Logic after recording it.
Enjoy.
After messing around with that sound of the Polivoks self-oscillating with the BP out FM'ing itself that I mentioned in the review, I started a patch using it as a regular BP filter and came up with what I called "Ghost In the ICs".
This quite possibly could be my favorite sound I've come up with yet. I think it could have been even more expressive with the joysticks involved, but it's hard at this stage to play them without the alligator clips popping off or having a flaky connection. Here's what the patch consisted of:
The lower register of the sound (the slightly formant like one) is one square wave oscillator from the Dalek Modulator with a little bit of x-modulation. That is being fed into the Harvestman Polivoks which has it's resonance about 3/4 of the way up, getting a slight modulation of it's frequency by the Auxiliary out of the Dual Cuyclotron (both cyclotrons set to "discrete"; square waves), and the Bandpass output going into one half of the Plan B Dual Timbral Gate with the level up @ 10 o'clock. The gate level is opened by the accent out on the first 8th note of a triplet on the Plan B Model 28 Tap Clock.
The upper register of the sound (higher pitched sine wave-ish one) is the sine wave out of the other half of the Dalek Modulator, also with a little bit of x-modulation. That is going directly into the other half of the Plan B Dual Timbral Gate, with the level also @ 10 o'clock and the gate in "Filter" mode. The gate level is closed slightly (not being opened wider) by a Plan B Model 10 Poly Env, with the envelope going negative (~ 11 o'clock on the knob). The Poly Env is being triggered by the triplet gate output on the Model 28 Tap Clock, with the middle 8th note set to Rest.
The mix/sum output of the Dual Timbral Gate is going into the Frequensteiner with it's Resonance set to ~ 10 o'clock and set to LP mode. It's modulated slowly by the Triangle out of one half of the Vulcan Modulator as well as getting an Accent on the first eighth note (so accents on the quater note beat) from the Model 28.
Finally, the Frequensteiner is going into the main VCA (Doepfer A-131) which is being held open via the "clock divider always on trick" and also slightly modulated by the Triangle out of the other half of the Vulcan Modulator.
I added a little UAD RE-201 and UAD Plate 140 in Logic after recording it.
Enjoy.
Friday, November 30, 2007
Polivoks Filter Arrives
It sounds awesome! It's not as dirty as I thought it would be based on the description at Analogue Haven. I was expecting something different by the "self-oscillates with a dirty pulse" line. It sounds very similar to my SSM A-105 Doepfer LP filter, but a little edgier. The bandpass output is also pretty edgy, especially at high resonances. Overloading the filter (by using both inputs and turning them up all the way) sounds really cool too; a little more mean sounding that the Frequensteiner can be.
The bipolar attenuator for the one frequency CV input is a really nice touch. I wish the second input had one as well; it has no attenuator.
I did some FM of the filter while it was self-oscillating (no input) and I was very pleased. The Frequensteiner tends to saturate a bit when doing the same thing but the Polivoks stays nice and biting. I will enjoy using this as an extra sine wave source; something that I find the frequensteiner doesn't do as well. When you are really FM'ing the heck of it, it sounds really gritty and dirty, almost like noise (as in white, not "hiss")...very cool. One of my favorite sounds I have discovered so far is to listen to the LP out while the Polivoks is self-oscillating (no audio input) and patch the BP output into the non-attenuated freq CV in. The result is this saw-like sounding hybrid. I wish I had a scope so I could see what it looks like, but it sounds very interesting.
The one downside I have experienced is a personal one. The knobs, while very smooth and easy to turn, are a bit "wobbly". If anyone has a Dual Cyclotron, it's similar to the 3 selector pots which have a slight wobble to them. I've begun to get used to it, but it was a bit disappointing at first. I've noticed that no complaints have come from anyone on the harvestman list or back to Analogue Haven about this on the Polivoks or the Malgorithm so I think I'm being a bit overly anal; something that is not a rare occurrence. ;) I'm sure once I have a few more Harvestman modules in my collection, it won't stand out as much. It of course has no impact on the sound, just my OCD.
All in all, it's an awesome filter and definitely needs to be in your collection, especially if you like having many different filter flavors.
Tuesday, November 27, 2007
Modulars = crack (aka the Sawtooth Animator post)
Ok, so I now fully understand the modular addiction. I knew before that it was one of those "black hole" hobbies that will always have some new thing to buy or entail some never ending quest to have "the ultimate" setup. That's all well and good...but when you start rationalizing dipping into savings or not buying certainly family members christmas presents, that's an addiction my friends.
http://www.blogger.com/img/gl.link.gif
I should know better too...I have an addictive personality. I don't gamble, cause I know that would get me into trouble...I quit smoking several years back, which is still difficult to fend off urges, and I'm very careful about not drinking outside of social/recreational means. I guess I always rationalized "gear" as not being an addiction.
Then again, maybe I'm being over dramatic. It's just that there are all of sudden more things that I want than I can afford...and I have money, but it's the "don't touch this except for emergencies and save until you are old" money. And of course, I'm trying to rationalize new modules that I want as "emergencies".
The Cyndustries Sawtooth Animator is the newest item to the WANT BAD list. This comes in right after the Livewire AFG...I have wet dreams of what the two sound like together. Previously, this was only available in the Cyndustries usual Modcan A format and I had seriously contemplated starting a small satellite system in that format simply so I could have the Sawtooth Animator. Well, now it's coming to Eurorack and Frac formats!!! Muff and Matrix have already got the jump on it. You must check out the audio demos here.
Aside from making me extremely excited, it also makes me a tad bit depressed that I'll either have to wait to have it, or be poor for a while. Back-alley sexual favors for modules is most definitely out of the question.
Joystick Proto - very early
So this weekend I finally dragged my ass down to Radio Shack and picked up a few necessary parts (protoboard, alligator clips, voltage regulator, etc) to start working on my little joystick controller.
Because I'm an idiot, it took me about 2 hours to do what should have taken about 5 minutes. I didn't fully understand the whole two hemispheres of the protoboard and this caused me to burn up 2 LEDs (2 *overpriced* LEDs I might add) as well as not get the voltage regulator working. Once I finally understood that, I succeeded in almost burning up one of the axis pots of the joystick. See, I didn't (don't, actually) understand the whole "shit's gotta be goin back to ground" principle and I have ~5V just sitting there in the joystick's pot. :P
Anyway, by the end of the sitting, I had a working prototype which is what you see in the picture above. And I did had a few hours of fun hooking it up with the modular and I'm really excited about getting it done. In addition to the one joystick pictured, they'll be a second joystick (without it's retention springs removed) and a handful of trigger/gate buttons. This weekend I hope to find a nice enclosure and start soldering stuff together. Of course, I'll document the rest of the process as much as I can.
Friday, November 23, 2007
Workspace and Environment
My interview for Trash_Audio's Workspace and Environment series is now up. Stoked!
http://trashaudio.blogspot.com/2007/11/workspace-and-environment-james-cigler.html
http://trashaudio.blogspot.com/2007/11/workspace-and-environment-james-cigler.html
Sunday, November 18, 2007
ZombieThunder
So I'm the processes of trying to narrow down what modules that I will keep in a single Doepfer A100P suitcase as a "portable" system; the rest will go into a custom case which I am about to start working on.
I started this decision processed basing the results purely on space, but pretty soon that became too difficult and I figured it would be best to just start taking notes on what modules I use most when making patches. One of the more interesting patches I happened on was this one, which I named, ZombieThunder. It sounded like thunder and something I would have heard in a zombie movie soundtrack.
Of course, I took notes on what modules I used, but I didn't on exactly how they were patched...I'm describing it from memory here....
Plan B Model 15 sine is main sound source
Dalek Modulator sine wave was FM'ing the Plan B Model 15
Dalek Modulator other sine wave was FM'ing the FrequenSteiner (LP mode)
Plan B Model 24 stepped voltage (smoothed through Livewire Dual Bissell) was controlling pitch of Model 15
Plan B Model 24 smooth voltage was controlling the 2nd sine wave freq on the Dalek (the one FM'ing the filter).
Livewire Vulcan Max out was also modulating the Filter (although much more slowly).
Plan B Model 10 in LFO mode was opening up the main VCA.
Enjoy.
I started this decision processed basing the results purely on space, but pretty soon that became too difficult and I figured it would be best to just start taking notes on what modules I use most when making patches. One of the more interesting patches I happened on was this one, which I named, ZombieThunder. It sounded like thunder and something I would have heard in a zombie movie soundtrack.
Of course, I took notes on what modules I used, but I didn't on exactly how they were patched...I'm describing it from memory here....
Plan B Model 15 sine is main sound source
Dalek Modulator sine wave was FM'ing the Plan B Model 15
Dalek Modulator other sine wave was FM'ing the FrequenSteiner (LP mode)
Plan B Model 24 stepped voltage (smoothed through Livewire Dual Bissell) was controlling pitch of Model 15
Plan B Model 24 smooth voltage was controlling the 2nd sine wave freq on the Dalek (the one FM'ing the filter).
Livewire Vulcan Max out was also modulating the Filter (although much more slowly).
Plan B Model 10 in LFO mode was opening up the main VCA.
Enjoy.
Livewire Dalek Modulator Demo
This is a demo I have been looking forward too for a while. The Dalek is one of my fav modules because it is so useful, not only as a tone source, but as a modulation source; the latter I use the most frequently.
I tried to showcase it "on it's own" as much as possible since all the other video demos I have done so far have feature the Dalek in some shape or form. So without further ado...here's the Livewire Dalek Modulator.
Enjoy.
I tried to showcase it "on it's own" as much as possible since all the other video demos I have done so far have feature the Dalek in some shape or form. So without further ado...here's the Livewire Dalek Modulator.
Enjoy.
Sunday, November 11, 2007
Trash Audio Studio Tour
After being sick last weekend and busy all week (and saturday with a mastering project) I finally got around to making a video tour for my upcoming Workspace and Environment interview on Trash_Audio. It was Surachai's idea to make a video and it came out better than I expected.
Rather than narrate this one, I thought I'd give you all a break from my voice and instead write a quick piece as the sound track. And, it made sense to use the stuff being shown in the video.
Enjoy.
Rather than narrate this one, I thought I'd give you all a break from my voice and instead write a quick piece as the sound track. And, it made sense to use the stuff being shown in the video.
Enjoy.
Thursday, November 08, 2007
The Wishlist
I don't think I've posted a "wishlist" yet. I know I've mentioned modules that were "in the pipe" for purchase, but that isn't quite the same thing...so here' goes:
1) Livewire Audio Frequency Generator (AFG!...is it here yet?! Is it here?!)
2) Plan B Model 9 Mixer/Atten. <- this is a rad module...simple and effective and multipurpose. And cheap!
3) The Harvestman 1973 Tyme Sefari <- I've been excited about this one for a while, but now that it's getting farther along, I can't wait. I might be more anxious to get this than the AFG.
4) Livewire Chaos Computer <- who knows when this thing will ship...but when it does, I want it.
5) Plan B Model 14 Voltage Processor <- So much more than just a mixer, this thing is a full on voltage tweaker; a must have if you have many modulation sources.
6) The Harvestman 1986 Zorlon Canon <- Another Harvestman that I'm getting more excited about as it nears shipping. The pitched noise sounds like it will be very cool, but I'm fantasizing about using the various gates to drive the Chaos Computer
7) Plan B Model 21 Milton Grande <- An evasive beast like the Chaos Computer, but this is the only sequencer that I've seen that really makes me want to get a sequencer. Once it's released and cash is plentiful, it will be mine.
Filters
I'll list the filters separate because I like having several different filters to choose from, but I don't want more filters as bad as some of the above modules. Maybe that's a good testament to how pleased I am with the Livewire Frequensteiner. ;)
1) Plan B Model 11 Evil Twin <- I love bandpass filters, but I tend to like to get filters which have more than one mode. Based on the sound demos though, this bad boy is the exception.
2) The Harvestman 1982 Polivoks VCF <- A fresh off the assembly line release and it's a brilliant idea; and it's a dead-on reproduction, even using Russian ICs and not US counterparts. It was also developed with the help of the Polivok's original designer. Based on what I've heard of the Polivoks, this thing is mean as hell. It also has simultaneous Lowpass and Bandpass outputs. Actually...this guy will probably bump the Model 11 out of the number one spot...audio demos will be final judge.
3) Cwejman DMF-2 <- If my thirst for filters isn't quenched by both the Harvestman and the Model 11 (and the Metasonix TM-6 and the Frostwave Resonator) then I will have to pick this guy up. I've been told that the Cwejman's don't have the character that I usually go for in a filter, but a "matched" stereo set would be a little too much to pass up...I love stereo filtering.
Well, that's the list. For now anyway. I only hope the bank account can survive it all.
1) Livewire Audio Frequency Generator (AFG!...is it here yet?! Is it here?!)
2) Plan B Model 9 Mixer/Atten. <- this is a rad module...simple and effective and multipurpose. And cheap!
3) The Harvestman 1973 Tyme Sefari <- I've been excited about this one for a while, but now that it's getting farther along, I can't wait. I might be more anxious to get this than the AFG.
4) Livewire Chaos Computer <- who knows when this thing will ship...but when it does, I want it.
5) Plan B Model 14 Voltage Processor <- So much more than just a mixer, this thing is a full on voltage tweaker; a must have if you have many modulation sources.
6) The Harvestman 1986 Zorlon Canon <- Another Harvestman that I'm getting more excited about as it nears shipping. The pitched noise sounds like it will be very cool, but I'm fantasizing about using the various gates to drive the Chaos Computer
7) Plan B Model 21 Milton Grande <- An evasive beast like the Chaos Computer, but this is the only sequencer that I've seen that really makes me want to get a sequencer. Once it's released and cash is plentiful, it will be mine.
Filters
I'll list the filters separate because I like having several different filters to choose from, but I don't want more filters as bad as some of the above modules. Maybe that's a good testament to how pleased I am with the Livewire Frequensteiner. ;)
1) Plan B Model 11 Evil Twin <- I love bandpass filters, but I tend to like to get filters which have more than one mode. Based on the sound demos though, this bad boy is the exception.
2) The Harvestman 1982 Polivoks VCF <- A fresh off the assembly line release and it's a brilliant idea; and it's a dead-on reproduction, even using Russian ICs and not US counterparts. It was also developed with the help of the Polivok's original designer. Based on what I've heard of the Polivoks, this thing is mean as hell. It also has simultaneous Lowpass and Bandpass outputs. Actually...this guy will probably bump the Model 11 out of the number one spot...audio demos will be final judge.
3) Cwejman DMF-2 <- If my thirst for filters isn't quenched by both the Harvestman and the Model 11 (and the Metasonix TM-6 and the Frostwave Resonator) then I will have to pick this guy up. I've been told that the Cwejman's don't have the character that I usually go for in a filter, but a "matched" stereo set would be a little too much to pass up...I love stereo filtering.
Well, that's the list. For now anyway. I only hope the bank account can survive it all.
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