The Serge

I tried really hard to come up with some kind of McCain "the surge is working" joke, but just couldn't. :( So anyway, this is the big Serge post, hopefully it does not disappoint.

As I mentioned in my recent post, over the course of researching the Buchla I started to see things that I did not like in my current system, or put maybe a more accurate way, advantages that I saw in other formats. Let's start with the most simple, and obvious, one. Banana jacks.

Using multiples in 1/4" or 1/8" is annoying as hell. I know it seems trivial, but *every time* I find myself wanting to use a multiple, it requires breaking half a patch down, exchanging cables and then retracing my steps so that I put it back together properly. With banana jacks, it's much more elegant. Need a mult? Just poke a jack in there and that's it. Seems like a small thing, but while it would be nice to have in Euro (really nice to have) it is almost required due to the level of functional density of each Serge module (not panel, but individual module - which is referred to as a "function block" in Serge-land). That brings me to my next advantage of the Serge. Functional density.

In Serge-land, they call this "patch programmability". Depending on how you patch a particular function block, you can achieve different results. The "Smooth / Stepped Generator" (SSG) for example, can not only be a S+H, but also a VC slew limiter, VC LFO (triangle and square), clock, LPF/LPG, lo-fi VCO, zero-crossing detector, and more with any combinations of these (that's right, most of those functions only require one half of the module!). This module is even one-upped by the "Dual Slope Generator" (DSG) which has an unprecedented number of patch programmable functions, yet on the surface, it's just an AD envelope generator. It's this "patch programmability" that really attracts me to the Serge system. The flexibility and range of sounds possible in even a single panel (or even M-odule) is rather astounding. Exhibit A is this fantastic demo from kkonkkrete which surfaced a few weeks ago.



Note that this video features only 2 M-odules, and throughout the video, some portions of the Sequencer A M-odule are not even used. It's quite amazing that the Creature M-odule (the one on the right side) is essentially a fully featured Serge system on it's own! This brings me to my next perceived advantage. Portability.

This is one of the advantages that I found in the Buchla which I think is very apparent here as well. A 3 panel Serge system would more or less be similar in size to a 12ws Buchla case and definitely give it a run for it's money, if not certainly beat it out feature-wise (but this isn't purely about features). My system, as it is now, is almost too large. I haven't even filled the case and I find that on many patches, some modules are just "in the way" and I end up having to work around them. A small detail, but to me it screams "you have to much shit that you don't use", and if I don't use it, it isn't that necessary. Maybe this just one of those "ebb and flow" things, but I like to have an efficient use of space, and when I find myself always turning to the same dozen or so modules, it's hard to fight off the urge to trim the fat, so to speak.

The final advantage is another one taken from my Buchla research and this is the dynamic control/interaction with the instrument. While it's no 222e Kinetic Input, the Serge TKB Touch Keyboard Sequencer is a very dynamic and expressive controller.

The sequencer is not unlike the mythical Milton (or maybe that should be the other way around). There are 4 "rows" of 16 steps. A standard clock steps through each of 16 stages, while a separate vertical clock with step through the 4 rows, allowing for 64 step patterns. Either the combined row output is available, or each row output separately, allowing for control of 4 separate modules for each stage. The direction of the sequencer can also change based on either a manual switch, or a trigger input. There is also a "random stage select" trigger input. When pulsed, it will select a random stage. And, speaking of stage selection, when the keyboard is linked with the sequencer, touching a key touchplate will immediately select that stage. It can be patched so that when pressing the key touchplate, the stage will be held and the sequencer will not advance. There is also key pressure voltage available, for more expression. Basically, it's the perfect combination of a keyboard controller and an analog sequencer.

So, until I've had some one-on-one face time with a Serge system and can make my final decision, I see some Serge in my future. My best assessment at this point would be to start with a Gator and Creature and add a TKB as early as financially possible. After using that system for a while, I'll have a better idea of what else I might need (if anything at all). That's another advantage of the Serge, not only can so much be achieved with only a couple panels, but it's pricey enough that you just don't go off buying more on a whim, something that happens with me constantly with euro. I just lack that willpower I guess.

My dilemma though is that I can't bear to part with a good chunk of my Euro system. Out of the modules that I use in practically every patch, I plan on keeping the following:

Livewire AFG (x2)
Livewire Vulcan Modulator
Livewire Dalek Modulator
Livewire Frequensteiner
Livewire Dual Cyclotron
Plan B M13 LPG
Plan B M14 Voltage Proc
Harvestman Stilton
Harvestman Evin (forthcoming)
Harvestman Tyme Sefari
Doepfer A-132-3

The Plan B M10s and M24 would be in there since those are used in every patch, but they have direct functional equivalents on the Serge. In fact, there's practically the same as the Serge DTG and SSG modules. As time goes on, I would consider loosing the Dual Cyclotron (which will be a hard one) and the Plan B M14 since both could be had in the Serge domain without too much trouble. As I said, I haven't had face time with the Serge VCO and Filters yet, so until I do, I can't imagine giving up the AFG+Frequensteiner sound. Even so, I can't imagine giving it up.

All of this Euro, plus some more, would fit rather nicely in one of the upcoming 9U A-100P portable cases that Doepfer has announced, which is what I would plan on transitioning the euro system into once they are available.

So, I'm not decided 100%, but this definitely feels like the direction that I want to move. Only time will tell.

I've linked to it where appropriate, but the "Ergres - Serge Fans" site has an extensive amount of info on Serge systems, as does Carbon111. They have been extremely helpful in the journey and if you are at all curious, I would suggest checking them out.

http://www.serge-fans.com/
http://carbon111.com/serge_index.html

Devi Ever Master Control

While I've been *really* slow on getting it finished, this is pretty much exactly what I had been working towards with my two joysticks.



Nice job as usual Devi!!!

Joystick Proto - very early

So this weekend I finally dragged my ass down to Radio Shack and picked up a few necessary parts (protoboard, alligator clips, voltage regulator, etc) to start working on my little joystick controller.

Because I'm an idiot, it took me about 2 hours to do what should have taken about 5 minutes. I didn't fully understand the whole two hemispheres of the protoboard and this caused me to burn up 2 LEDs (2 *overpriced* LEDs I might add) as well as not get the voltage regulator working. Once I finally understood that, I succeeded in almost burning up one of the axis pots of the joystick. See, I didn't (don't, actually) understand the whole "shit's gotta be goin back to ground" principle and I have ~5V just sitting there in the joystick's pot. :P

Anyway, by the end of the sitting, I had a working prototype which is what you see in the picture above. And I did had a few hours of fun hooking it up with the modular and I'm really excited about getting it done. In addition to the one joystick pictured, they'll be a second joystick (without it's retention springs removed) and a handful of trigger/gate buttons. This weekend I hope to find a nice enclosure and start soldering stuff together. Of course, I'll document the rest of the process as much as I can.

Busy weekend, no synth fun

This weekend (and week actually) has been usually busy and I unfortunately do not have time to work on a new video. In fact I still haven't unpacked my rig since AH Bay Area last weekend :(

I did get around to playing with the Boss DS-1 that I won in the raffle; I forgot how cool those are. I guess I've become a bit jaded, not expecting a $40 pedal to be that good.

Speaking of AH Bay Area, the idea of putting together some kind of touch controller for the modular has constantly been on my mind since then. Ive wanted a Haken Continuum for a few years now but as I invest more and more money into modules, the price of a Continuum becomes harder and harder to swallow. That being said, I'd love to have some kind of Buchla-like touch controller. The best idea I've thought of is a 2 octave arrangement of short ribbon controllers arranged like keys of a standard kwyboard. That way you have some control fo up/down as well as pitch and trigger. Maybe even add a long ribbon along the bottom for a third control source; could be utilized by your thumb while your fingers are on the ribbon "keys".

What do you guys think?