The comments (mainly Zerosum's) on the last Thingamagoop post got me thinking about demoing one application of the Thingamagoop. I was initially thinking of video ideas, but as I was playing around I got to jamming with it and it was too fun not to capture.
There is some modular processing applied:
The Thingamagoop (Ghost of Robot TB1X model, although that doesn't really matter) was plugged into the Doepfer A-119 Envelope Follower into the Ext. In of the Dalek Modulator. Ring Out of the Dalek into the Frequensteiner in bandpass mode, through the Doepfer VCA and then finally into the Moog MF-104 delay. There's some slight slow modulation of the Frequensteiner by the Vulcan Modulator and a touch of filter FM from the Plan B Model 15, the amount of which is being randomly controlled by the Dual Cyclotron.
Where the trick comes in is that I have the Threshold on the Envelope Follower set so that when I have my finger over the Thingamagoop's nose (blocking it's photocell), there is no gate output (and therefore no output from the Thingamagoop+modular). So I'm able to mute the sound just by putting my finger over the photocell.
Now, the modular processing imparts only a little bit of character; 90% of what you hear is the Thingamagoop and me flipping it's switches and playing with the LFO speed. It's pretty much impossible to pick out exactly when the FM of the Frequensteiner happens and the Ring Modulation is not that aggressive. I could have easily just run the Thingamagoop into the delay, but the modular added a nice character.
The left most switch on the Thingamagoop selects the "gate mode". Up is a square wave gate, controlled by the LFO speed. Down is no gate at all. It's pretty easy to hear when I switch back and forth. The right most switch is the pitch range. Down is low range, and up is high. You can hear me switch this a few times, in particular there are a few times where I simultaneously switch the gating off and the pitch to the high range...moving your finger over the photocell in this configuration leads to some really cool modulated tibres (which you'll hear). Adjusting the proximity of the "LEDicle" to the photocell of course also changes the pitch and the amount of modulation; I'm moving that back in forth in front of the photocell as well.
I'm able to do this all with the Thingamagoop cradled in both hands...my left thumb over the photocell, right hand fingers moving the LEDicle and switches and my right palm, and sometimes fingers, moving the LFO knob.
All in all, it's really fun to perform and improve with like this! :D
A simple Machinedrum pattern was used for some rhythm (no modular involvement there).
Enjoy, and please comment.