This track is more interesting as far as the patch goes than it actually sounds, but I wanted to share anyway...
The main sound source is one square wave oscillator from the Dalek Modulator. It's pitch modulation comes from two sources:
The first is the "stepped" output of the Model 24 Heisenberg, which is paced by one square wave LFO from the Vulcan Modulator, and fed through one half of a Livewire Dual Bissell Generator (slew limiter).
The second source is the other square wave oscillator from the Dalek Modulator, set in Low range and run through the other half of the Dual Bissell Generator. The rate of this oscillator is modulated by the other square wave LFO from the Vulcan Modulator.
Both of these sources are then fed into a Doepfer A-150 Dual Voltage Controlled Switch (only using one of the switches). The switch is controlled by the Model 28 Tap Clock. Every time the quarter note gate is output, it causes the A-150 switch to change from using the first modulation source to using the second. So what you are hearing is the two modulation sources "trading off" every quarter note.
Beyond that, the "main output" of the Dual Cyclotron is modulating the filter cutoff. The Dual Cyclotron has become my favorite filter modulation source. There's something very organic and chaotic about it's modulation and that leads to some very cool timbres when used to modulate a filter (sparingly of course).
Finally, the output of the modular is going into a Moog MF-104 Analog Delay, with the Moog MF-102 Ring Modulator patched into the feedback loop. If you listen carefully, you can hear the delay repeats slowly get more "spacey" sounding. In some cases, it sounds like is almost slowly starting to play in reverse.